The relationship between the decoration of stone gardens in modern cities and the construction of spiritual culture

The rapid development of the urbanization process will inevitably make the public's material and cultural life needs greatly improved. Especially for the cultural landscape around the living environment, cultural supporting facilities, and even decorative landscapes will generate great attention. As a decorative landscape, the urban Stone Garden Decor itself does not produce productivity and economic benefits, but it will potentially promote the moral system of the entire society, thereby greatly promoting the construction of spiritual civilization.

Urban Stone Garden Decor originated in the West. The earliest urban Stone Garden Decor model appeared in ancient Greece. In the long history of development in the West, urban Stone Garden Decor has become an indispensable part of the spiritual life of people living in cities. In the history of traditional Stone Garden Decor in our country, many Stone Garden Decor works placed in the urban environment have actually been produced. However, in view of the social background and mainstream social values at that time, the city Stone Garden Decor at that time mainly conveyed the ruling idea of imperial power and natural gift to the public in the form of religious Stone Garden Decor and mausoleum Stone Garden Decor. At that time, the urban Stone Garden Decor was obviously unable to serve the public, let alone reflect the life and spiritual world of the people. In the 1930s and 1940s, statues of figures such as Sun Yat-sen appeared in the Stone Garden Decor of many cities in our country, which is probably the germination of the Stone Garden Decor in our country. After the founding of New my country, some representative commemorative themed Stone Garden Decor began to appear in many big cities in our country, and urban Stone Garden Decor began to develop in our country.
In the process of the development and construction of urban Stone Garden Decor, many artists and Stone Garden Decor factories have realized the relationship between urban Stone Garden Decor and the construction of spiritual civilization, and began to harmonize the environment from the perspective of design concepts and other creations. , Civilization creation and other aspects are close. In today's society, public urban cultural Stone Garden Decor works no longer belong to a few simple natural persons. They have actually gone out of the exhibition hall to the public, and have begun to accept the judgment of many aesthetic standards and cultural inspection. It appears around the public life and is closely linked with the construction of spiritual civilization.
With the rapid development of my country's urban economy and the re-expansion of humanistic materials, urban life with spiritual pleasure and perfect and beautiful urban environmental landscape have become a standard for urban people to evaluate the quality of urban life. In the urban public environment, urban Stone Garden Decor, as an important form of public art, intervenes in urban space, and it no longer exists as an independent object, but is endowed with psychological, social and cultural symbols. Meaning, it needs to be interdependent and coordinated with the surrounding environment to achieve emotional communication between people and the urban environment. This is the situational nature of urban Stone Garden Decor.
It can be seen that the core of the situational relationship of urban Stone Garden Decor is to emphasize that under the condition that human beings pay more and more attention to their own living environment, to meet the public's emotional needs for cultural and psychological environment, and to show the aesthetic and cultural value of Stone Garden Decor works in the urban environment. dimension. Through the expression of art and the artistic creation that meets the needs of life, it serves the public. Stone Garden Decor is a spiritual product of human beings and an inseparable part of social culture. There are many language and form constraints for Stone Garden Decor. The daily living experience of the public as a social sharing element is the basis for conveying the situational meaning of urban Stone Garden Decor works , to understand the new urban space from the perspective of public life is the way to generate and circulate the meaning of the works. However, the connotation of social culture determines the formal language of Stone Garden Decor and becomes a more basic restrictive factor. The creation of urban Stone Garden Decor also enriches and beautifies the landscape of modern cities, and its spiritual connotation also condenses the aesthetic consciousness and national culture of a specific era, symbolizing the cultural accumulation of a city.
Therefore, creators of contemporary Stone Garden Decor should pay more attention to the development of the current society and the objective needs of life forms, create an aesthetic and artistic cultural scene, and make the urban Stone Garden Decor more diversified.