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The fusion of stone art and painting. Stone art achieves its expressive effect through shape, light and shadow, while painting expresses through color and lines. Although there are differences between the two, the form of expression is basically the same. The two share some of the same constituent elements, such as composition, perspective, decoration, and realism. The stone art here is somewhat similar to painting, because both are created on a plane, and both compress various three-dimensional shapes and scene deformation perspectives into the plane. While the stone art shows the aesthetic effect and puts it into vision, and involves the touch to show a certain sense of space, which is a stone carving art feature, it also makes good use of the advantages of painting in composition, subject matter and space processing, showing the originality of round sculpture. Content and objects that cannot be expressed. The carving and shaping of stone art on the plane enables it to integrate the modeling advantages of Stone Carving and painting, maintain the diversity and diversification of techniques, take into account the physical characteristics of stone carving forms, and strengthen the narrative characteristics of painting.
According to the different combination of stone art space interface, its application can be roughly classified into: interior decoration interface; architectural decoration interface; commemorative structure decoration interface; functional wall display surface. While pursuing the overall harmony of the space environment, stone art design must seek to create diversity in the environment and space beautification, and expand the spiritual appeal of shaping the language. We must pay attention to the visual and psychological effects produced by the size, material, and texture of the stone art at the same time. When using the language of stone art on the space interface, it reflects the role of the environment and space. It is the viewer who enters the spiritual world shaped by the work from the form. So when I was innovating, I lengthened the space and made stone art effects on the plane, but it was not the traditional stone art technique. It was to enlarge and enhance the compressed part of the stone art, and to make the effect on the objects that I wanted to highlight, but it was not Do all stone art, but only the emphasized part of the object, such as making a person's head, as long as the part of the head is highlighted, then I only make three-quarters of the head that is closest to the audience, and use painting techniques for the rest performance, which saves a lot of redundant language.
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